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Old 06-09-2009, 06:47 AM   #121 (permalink)
Tenks
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So my new technique is to play the Star Spangled Banner once at normal speed, double that tempo, then double it again. I'm actually getting fairly decent at performing it at 4x the normal speed. I needed to get better at moving around and plucking certain strings and it is helping me tremendously. The actual fretting in the song isn't anything spectacular but its fun.

Anyways I'm starting to learn Paranoid by, of course, Sabbath. Not really that hard of a song at all until the solo just alot of palm muting and power chords with the infrequent legato and string skip. Any other recommendations on a fairly well known song like Paranoid that I may pick up next?
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Old 06-09-2009, 07:00 AM   #122 (permalink)
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Quote:
Originally Posted by Tenks View Post
So my new technique is to play the Star Spangled Banner once at normal speed, double that tempo, then double it again. I'm actually getting fairly decent at performing it at 4x the normal speed. I needed to get better at moving around and plucking certain strings and it is helping me tremendously. The actual fretting in the song isn't anything spectacular but its fun.

Anyways I'm starting to learn Paranoid by, of course, Sabbath. Not really that hard of a song at all until the solo just alot of palm muting and power chords with the infrequent legato and string skip. Any other recommendations on a fairly well known song like Paranoid that I may pick up next?
If you're up for the challenge. Crazy Train has some really fun riffs in it.
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Old 06-09-2009, 08:08 AM   #123 (permalink)
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Yeah JamPlay does have a tutorial on Crazy Train but I think that maybe a bit out of my skill level. I'll check out the tabs and see what I think.

-edit-

Nm it was Mr. Crowley. I'd also like one in standard EADGBE tuning but I know those are somewhat rare.
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Last edited by Tenks; 06-09-2009 at 08:20 AM..
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Old 06-09-2009, 08:16 AM   #124 (permalink)
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Originally Posted by Tenks View Post
Yeah JamPlay does have a tutorial on Crazy Train but I think that maybe a bit out of my skill level. I'll check out the tabs and see what I think.

-edit-

Nm it was Crazy Train. I'd also like one in standard EADGBE tuning but I know those are somewhat rare.
Something in EADGBE
Naked Ladies and Electric Ragtime
Spoiler Alert, click show to read:
Structure A1-A2-B-A3

Section A1 & A2:



[1]
|------0-------0---------|----------------0-------|
|1---3-----3-------3---1-|------------------------|
|------0-----------------|----2-----0-----------0-|
|------------------0-----|------2-----------2-----|
|3-----------2-----------|0-----------------------|
|------------------------|------------3-----------|


[3] (hp)
|------------0-----------|------010---0---1-------|
|----3-1---------3-1---3-|----------3-----------0-|
|2---------0------(2)----|----0-------------------|
|------3-----------2-----|------0-----------0-----|
|------------------------|------------------------|
|1-----------0-----------|3-----------3-----------|


[5] (same as bar 1&2)
|------0-------0---------|----------------0-------|
|1---3-----3-------3---1-|------------------------|
|------0-----------------|----2-----0-----------0-|
|------------------0-----|------2-----------2-----|
|3-----------2-----------|0-----------------------|
|------------------------|------------3-----------|


[7]
|----------------0-2---3-|------1p0---0---1-------|
|----0-1---3-------------|----------3-----------0-|
|2-----------------------|----0-------------------|
|------0-----------0-----|------0-----------0-----|
|------------------------|------------------------|
|2-----------2-----------|3-----------3-----------|


[9]
|------------------------|----0-------------------|
|----3-1-----1---3-------|1---------------1-------|
|2---------2-----------0-|----------3-----------3-|
|------3-----------3-----|------2-----------------|
|------------------------|3-----------3-----------|
|1-----------1-----------|------------------3-----|


[11]
|------------------------|2---2/----5/----8-------|
|----3bud1---1---3-------|----------------------0-|
|2---------2-------------|2---2/----5/----8-------|
|------3-----------3---0-|1---1/----4/----7-------|
|------------------------|------------------------|
|1-----------1-----------|------------------------|


[13] (same as bar 1&2)
|------0-------0---------|----------------0-------|
|1---3-----3-------3---1-|------------------------|
|------0-----------------|----2-----0-----------0-|
|------------------0-----|------2-----------2-----|
|3-----------2-----------|0-----------------------|
|------------------------|------------3-----------|


[15]
|------------0-----------|------------------------|
|----3-1---------4-3---1-|------0---3-1-----1---/-|
|2---------0-------------|----0-------------0---/-|
|------3-----------0-----|------------------2---/-|
|------------------------|3-----------3-----3---0-|
|1-----------3-----------|------3-----------------|
^ T

(barre slide up to 5th fret across top four strings
to get to first chord of [17])


[17]
|----8-5-----0---1-0-----|0-----------------------|
|5---------8-------------|1-----3-----1-----------|
|5-----------0---2-0---0-|0-----0---------2-----0-|
|5-----------------------|------------------------|
(0)----------------------|3-----2-----0-----------|
|------------------------|------------------3-----|


(Section A1 2 bar ending)
[19]
|------------0-----------|------------------------|
|----3-1---------4-3---1-|------0---3-1-----1-----|
|2---------0-------------|----0-------------0-----|
|------3-----------0-----|------------------2-----|
|------------------------|3-----------3-----3-----|
|1-----------3-----------|------3-----------------|
^

----- At end of A1 go to A2 -----

(Section A2 - 2 bar ending)
[21]
|------------0-----------|------------------------|
|----3-1---------4-3---1-|------0---3-1-----1----/|
|2---------0-------------|----0-------------0-----|
|------3-----------0-----|------------------2----/|
|------------------------|3-----------3-----3----/|
|1-----------3-----------|------3-----------------|
^

----- At end of A2 go to section B -----


Section B:

[23]
|----0-------0-----------|----5-3---0-3---0-------|
|3---------3-----3-------|0---------------------1-|
|----------------------0-|0-----0---------------0-|
|------4-----------4-----|------------------0-----|
|5-----------------------|----------------------3-|
|------------5-----------|3-----------3-----------|
^m

[25]
|----------8-5-----------|------------------------|
|----/-5---------8-5-----|5h--6-5h--6-5h--------0-|
|----/-5---------------5-|----------------5-------|
|----/-5-----------------|5h--7-5h--7-5h----------|
|----0-------------------|------------------------|
|------------------------|------------------0-----|
T


[27] (sim to 23 & 24 no mute)
|----0-------0-----------|----5-3---0-3---0-------|
|3---------3-----3-------|0---------------------1-|
|----------------------0-|0-----0---------------0-|
|------4-----------4-----|------------------0-----|
|5-----------------------|----------------------3-|
|------------5-----------|3-----------3-----------|
^

[29] (h)
|------------3---3bud0---|0-----------------------|
|----1/----0-----------3-|----3-0---------------0-|
|------------------------|----------2-01----------|
|------------------------|----------------2-------|
|------------------------|------------------------|
|------------------------|------------------0-----|
|===== fret numbers +10 =========|

(couldn't fit the correct numbers in to the tab for
bar 29 and still show the rhythm so, in the marked area,
add ten to the written number i.e. the lick in bars
29 & 30 should be played at frets 10 to 13)


[31] (same as 23 & 24)
|----0-------0-----------|----5-3---0-3---0-------|
|3---------3-----3-------|0---------------------1-|
|----------------------0-|0-----0---------------0-|
|------4-----------4-----|------------------0-----|
|5-----------------------|----------------------3-|
|------------5-----------|3-----------3-----------|
^m

[33] (sim to 25)
|----------8-5---------8-|8-----8-----------------|
|----/-5---------8-5-----|6---bu6---4-------------|
|----/-5-----------------|----------------5~----0-|
|----/-5-----------------|------------------------|
|----0-------------------|------------------------|
|------------------------|------------------0-----|
T


[35] (same as 9 & 10)
|------------------------|----0-------------------|
|----3-1-----1---3-------|1---------------1-------|
|2---------2-----------0-|----------3-----------3-|
|------3-----------3-----|------2-----------------|
|------------------------|3-----------3-----------|
|1-----------1-----------|------------------3-----|


[37] (sim to 11 & 12)
|------------------------|2---2/----5/----8-------|
|----3---1---1---3-------|------------------------|
|2---------2-------------|2---2/----5/----8-------|
|------3-----------3---0-|1---1/----4/----7-------|
|------------------------|------------------------|
|1-----------1-----------|------------------------|


[39]
|------8---------8-----8-|8-----------------------|
|------------------------|----8-5h--6-5-----------|
|------8-----------8-----|----------------5-----0-|
|7-----------6-----------|5-----5h--7-5---------0-|
|------------------------|------------------------|
|------------------------|------------------0-----|


[41] *-----
|----0-3p1p0-0---1-------|------------------------|
|-----------3----------0-|1-----0---3-1-----1-----|
|------------------------|----0-------------0-----|
|------0-----------0-----|------------------2-----|
|------------------------|3-----------3-----3-----|
|3-----------3-----------|------3-----------------|
^
* play these four notes as straight semiquavers

----- At end of Section B go to section A3-----


Section A3:

[43-48] (same as bars 1-6)

[49]
|----0-------------------|----------0h1p0---0-----|
|----1-0---1-------1-----|----0h1h3---------------|
|0h2---2---2-----2-----0-|0h2-------------0-----0-|
|------0-----------0-----|------0-----------0-----|
|------------------------|------------------------|
|2-----------2-----------|3-----------3-----------|


[51 - 58] (same as bars 9-18)

[59]
|------------0-----------|------------------------|
|----3-1---------4-3---1-|------0---3-1-----1---/-|
|2---------0-------------|----0-------------0---/-|
|------3-----------0-----|------------------2---/-|
|------------------------|3-----------3-----3---0-|
|1-----------3-----------|------3-----------------|
^ T

[61-64] (play bars 17, 18, 21, 22)

[65]
|----0-------0-----------|----0-------0-----------|
|3---------3-----3-------|2---------2-----2-------|
|----5-------------------|----4-------------------|
|------------4-----------|------------3-----------|
|5---------5-----5-------|4---------4-----4-------|
|------------------------|------------------------|


[67]
|----0-------0-----0-----|------------------------|
|1---1-----1-1-----1-----|------------------------|
|3---3-----3-3-----3-----|------------------------|
|----2-------2-----2-----|------------------------|
|3---------3-------3-----|----------------0-2---3-|
|------------------0-----|1-----2-----3-----------|
U

[69]
|0-----------------------|------------------------|
|0-----------------------|------------------------|
|0-----------------------|------------------------|
|0-----------------------|------------------------|
|3-----------------------|------------------------|
|3-----------------------|------------------------|
T (Let chord ring...)


Doors - Roadhouse Blues
Spoiler Alert, click show to read:
Tuning: Standard tuning - EADGBe

e||-------------------------------------------------------------------------|
B||-------------------------------------------------------------------------|
G||-------------------------------------------------------------------------|
D||-------------------------------------------0h1h2-------------------0h1h2-|
A||------------------0h1h2--------------------------------------------------|
E||0--0--0--0--0--0---------0--0--0--0--0--0--------0--0--0--0--0--0--------|

------------------------------------------||
------------------------------------------|| repeat this throughout verse
-------------------------0----------------||
------------------0h1h2-----2--2--0-----0-||
------------------------------------0h2---||
0--0--0--0--0--0--------------------------||

e|-------0-0--0--------| play the chords with upstrokes
B|-------3-3--3--------|
G|-------1-1--1--------|
D|-------2-2--2-----0--|
A|-------2-2--2-0h2----|
E|-0--0--0-0--0--------|

e|---------------------|
B|---------------------| repeat
G|---------------------|
D|-2-2--4-4--2-2-------|
A|-0-0--0-0--0-0--3h4--|
E|---------------------|

3 3 3 3
|---| |---| |---| |---------------------------------------------------|
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|--4-4-4--4-4-4--4-4-4--4-4-4--3-3-3--4-------------------------------------|
D|--4-4-4--4-4-4--4-4-4--4-4-4--3-3-3--4-------------------------------------|
A|--2-2-2--2-2-2--2-2-2--2-2-2--5-5-5--2-------------------------------------|
E|---------------------------------------------------------------------------|

for the solo, try to use lots of triplets

and just do something like this:

e|-/12-12---12-12----12-12-----12-12-----12-12-----12-12----12-12----12-12-|
B|-/12---12-------12-------12---------12--------12-------12-------12-------|
G|-------------------------------------------------------------------------|
D|-------------------------------------------------------------------------|
A|-------------------------------------------------------------------------|
E|-------------------------------------------------------------------------|

e|----------12---------12----------12----------12----------12----------12--|
B|-12----12----12----12----12----12----12----12----12----12----12---12-----|
G|-14b16-------14b16-------14b16-------14b16-------14b16-------14b16-------|
D|-------------------------------------------------------------------------|
A|-------------------------------------------------------------------------|
E|-------------------------------------------------------------------------|

and just improvise the rest in the pentatonic scale

which is:

e|--------------------------------------12-15----------|
B|-------------------------------12-15-----------------|
G|------------------------12-14------------------------|
D|-----------------12-14-------------------------------|
A|----------12-14--------------------------------------|
E|--12-15----------------------------------------------|
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Last edited by Occido; 06-09-2009 at 08:19 AM..
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Old 06-09-2009, 03:52 PM   #125 (permalink)
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Quote:
Originally Posted by Tenks View Post
So my new technique is to play the Star Spangled Banner once at normal speed, double that tempo, then double it again. I'm actually getting fairly decent at performing it at 4x the normal speed. I needed to get better at moving around and plucking certain strings and it is helping me tremendously. The actual fretting in the song isn't anything spectacular but its fun.

Anyways I'm starting to learn Paranoid by, of course, Sabbath. Not really that hard of a song at all until the solo just alot of palm muting and power chords with the infrequent legato and string skip. Any other recommendations on a fairly well known song like Paranoid that I may pick up next?
+1 for Crazy Train, it's a decent mix of chords and picked notes that'll give your hands a workout.

If you're practicing these and changing tempos, do yourself a huge favor (if you don't already) and get yourself a metronome so that you know what BPM you're comfortable with. It'll also give you something tangible to shoot for. One of the best sayings that any of my guitar teachers ever told me was to go for "relaxed precision". It's a lot easier to nail stuff cleanly if your hands are relaxed. It's also hard to get used to, because especially when learning new bits, most people tend to stiffen right up.

If you're at all into 80's metal, Dokken has a ton of fun and relatively easy to play tunes (Kiss of Death, for example), and you can never go wrong with the oldschool RTL/KIA era Metallica catalog.
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Old 06-09-2009, 08:02 PM   #126 (permalink)
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I never formally thanked you for all your help with my guitar choice Seventh, so thank you. You've been a big help.

As for "relaxed precision" I attribute my my natural aptitude for this thanks to Guitar Hero/Rock Band. My finger dexterity and stretching is at an advanced guitar player level despite only jamming for a short period. For any people who say GH/RB is 100% worthless for guitar translation I would have to disagree with. I'm also getting very good at plucking the correct string when I need to, which was a hurdle for about two weeks now.

I hope I'm not hijacking this thread beyond it's purpose but I do appreciate all you guys who are much more knowledgeable than me giving out advice in a very relaxed and non-confrontational or elitist way.
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If you can stomach it, most chicks I've been with absolutely go bananas when you blow your load in them, go down on them, make them cum, suck it out, and feed it to them in a big wet kiss.
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Old 06-10-2009, 06:49 PM   #127 (permalink)
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bought this today.

SCHECTER C-1 GUITAR ACTIVE DUCAN DESIGNED PICKUPS WHITE - eBay (item 120432144812 end time Jun-10-09 17:38:16 PDT)
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Old 06-11-2009, 01:03 PM   #128 (permalink)
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I just got the official tabs for Guitar Hero 3 and Rock Band 1 from ebay/amazon. Should be fun, here's the list

Spoiler Alert, click show to read:

From GH3:

Anarchy In The U.K.
Barracuda
Before I Forget
Black Magic Woman
Black Sunshine
Cherub Rock
Cities On Flame With Rock 'N' Roll
Cliffs Of Dover
Cult Of Personality
Even Flow
Hit Me With Your Best Shot
Holiday In Cambodia
La Grange
Mississippi Queen
My Name Is Jonas
Paint It Black
Paranoid
Pride And Joy
Raining Blood
Rock And Roll All Nite
Rock You Like A Hurricane
Sabotage
Same Old Song And Dance
School's Out
Slow Ride
Story Of My Life
Stricken
Suck My Kiss
Sunshine Of Your Love
Talk Dirty To Me
The Devil Went Down To Georgia
The Metal
The Number Of The Beast
The Seeker
Welcome To The Jungle
When You Were Young
From RB:

Are You Gonna Be My Girl
Black Hole Sun
Creep
Dani California
Detroit Rock City
Don't Fear The Reaper
Green Grass And High Tides
Highway Star
I'm So Sick
In Bloom
Learn To Fly
Long Time
Maps
Mississippi Queen
Next To You
Paranoid
Run To The Hills
Say It Ain't So
Should I Stay Or Should I Go
Suffragette City
Train Kept A-Rollin'
Wanted Dead Or Alive
Welcome Home
When You Were Young
Won't Get Fooled Again
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If you can stomach it, most chicks I've been with absolutely go bananas when you blow your load in them, go down on them, make them cum, suck it out, and feed it to them in a big wet kiss.
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Old 06-11-2009, 01:15 PM   #129 (permalink)
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Quote:
Originally Posted by Tenks View Post
I just got the official tabs for Guitar Hero 3 and Rock Band 1 from ebay/amazon. Should be fun, here's the list

Spoiler Alert, click show to read:

From GH3:

Anarchy In The U.K.
Barracuda
Before I Forget
Black Magic Woman
Black Sunshine
Cherub Rock
Cities On Flame With Rock 'N' Roll
Cliffs Of Dover
Cult Of Personality
Even Flow
Hit Me With Your Best Shot
Holiday In Cambodia
La Grange
Mississippi Queen
My Name Is Jonas
Paint It Black
Paranoid
Pride And Joy
Raining Blood
Rock And Roll All Nite
Rock You Like A Hurricane
Sabotage
Same Old Song And Dance
School's Out
Slow Ride
Story Of My Life
Stricken
Suck My Kiss
Sunshine Of Your Love
Talk Dirty To Me
The Devil Went Down To Georgia
The Metal
The Number Of The Beast
The Seeker
Welcome To The Jungle
When You Were Young
From RB:

Are You Gonna Be My Girl
Black Hole Sun
Creep
Dani California
Detroit Rock City
Don't Fear The Reaper
Green Grass And High Tides
Highway Star
I'm So Sick
In Bloom
Learn To Fly
Long Time
Maps
Mississippi Queen
Next To You
Paranoid
Run To The Hills
Say It Ain't So
Should I Stay Or Should I Go
Suffragette City
Train Kept A-Rollin'
Wanted Dead Or Alive
Welcome Home
When You Were Young
Won't Get Fooled Again
There's a lot of really fun songs to play in that list. Black Hold Sun, Welcome Home (especially the jamming ending), Barracuda, La Grange, The Seeker, Welcome to the Jungle, Detroit Rock City are all fun songs.
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Old 06-11-2009, 01:21 PM   #130 (permalink)
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Yeah I'm anxious to get them. Together they ran me only like $40. For like 60 songs thats not bad I don't think.

I'll start with a few easier songs like When You Were Young, Barracuda, Maps, Learn To Fly and hopefully someday graduate to Cliffs of Dover
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If you can stomach it, most chicks I've been with absolutely go bananas when you blow your load in them, go down on them, make them cum, suck it out, and feed it to them in a big wet kiss.
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Old 06-11-2009, 10:10 PM   #131 (permalink)
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Quote:
Originally Posted by Tenks View Post
I never formally thanked you for all your help with my guitar choice Seventh, so thank you. You've been a big help.

As for "relaxed precision" I attribute my my natural aptitude for this thanks to Guitar Hero/Rock Band. My finger dexterity and stretching is at an advanced guitar player level despite only jamming for a short period. For any people who say GH/RB is 100% worthless for guitar translation I would have to disagree with. I'm also getting very good at plucking the correct string when I need to, which was a hurdle for about two weeks now.

I hope I'm not hijacking this thread beyond it's purpose but I do appreciate all you guys who are much more knowledgeable than me giving out advice in a very relaxed and non-confrontational or elitist way.
You're very welcome bro. I've run across my fair share of elitist guitar players, especially in the 5 years that I ran sevenstring.org, and the one thing they have in common is that they're all full of shit.

The great thing about guitar, and music in general, is that the only way to get better at it is to work your balls off at it. The upside is, there's this breaking point where all of a sudden the shit you play is exactly what you want to hear. The first time that happens is just the absolute coolest feeling in the universe, and suddenly it's less work and more of just a really fantastic way to spend your free time. I don't know of anything else that I do that's even half as rewarding as this.

I've never been one of those anti-GH guys. I get a little riled when people say it's the same as playing the song on an actual instrument, but it's bothering me less and less because just as you said, it is definitely building up your hand strength and accuracy, and that's key to playing anything cleanly.

One thing that I can toss out as a tip is to get your pinky into the game early, and the best that I've found, and what I try to tell the guys I give lessons to, is to play all of your power chords with it instead of your ring finger. Not only will it be less of a stretch for new guitarists working on building up dexterity, but once you get it strong enough you open up a ton of other chords and voicings by having a pinky strong enough to fret additional notes on top of your normal arsenal of chords. A good example is just an add9. I won't bore you with theory, so basically it's just a double power chord, eg instead of:

-3 (index)
-5 (ring, or pinky)

You'd fret

-3 (index)
-5 (middle)
-9 (pinky)

It's just one quick and dirty way of spicing up a standard power chord, and the voicing is gorgeous with distortion or without. Just always be looking for ways to incorporate the fingers you aren't using for fretting chords. Don't worry what chord you're actually playing, just take your comfort chords, plop your free finger(s) around on the frets, give it a strum and you'll end up finding all sorts of stuff that works great for you.

I wish I had a better quality, better example to post up than this, but you can see how I fret power chords and play (0:38) the add9's (0:43) in this video. Pardon the middle fingers, it's just something I threw together to bust on a buddy of mine who was working on palm muting (hence the middle fingers and such).

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Old 06-12-2009, 04:47 AM   #132 (permalink)
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Cannot stress pinky exercises! Mine fucking blows, after a couple of years of ignoring it it's like i've just picked up the guitar for the first time and have 15% coordination speed and strength. I'm finding it a bottleneck for me in terms of progression, so most of my time is spent doing silly 1-2, 2-3, 3-4, legato exercises up down across fretboard, 1-3-4 2-4-5 etc.
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Old 06-12-2009, 06:12 AM   #133 (permalink)
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Pinky exercises were and still are hard for me. When I was younger both of my pinky's were damaged and now both of them are curved. They curve in and it makes stretching to hit a note harder for me. Can do it.. it's just an inconvience.
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Old 06-12-2009, 06:33 AM   #134 (permalink)
Tenks
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The metal guitar instructor on JamPlay is huge about pinky use. Not to beat the dead horse but since I've been playing GH/RB for so long my pinky is fairly strong and coordinated. It still is the worst finger but it isn't too bad.

Ironically, since my girlfriend claims most metal guitarist don't know the theory or underlying depth of what they play but this guy demands you know all this. It is actually quite refreshing. His first lesson wasn't power chords, bending or HOPO it was going over all the notes on the guitar and major chords.
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Old 06-12-2009, 07:07 AM   #135 (permalink)
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One thing that I can toss out as a tip is to get your pinky into the game early, and the best that I've found, and what I try to tell the guys I give lessons to, is to play all of your power chords with it instead of your ring finger. Not only will it be less of a stretch for new guitarists working on building up dexterity, but once you get it strong enough you open up a ton of other chords and voicings by having a pinky strong enough to fret additional notes on top of your normal arsenal of chords. A good example is just an add9. I won't bore you with theory, so basically it's just a double power chord, eg instead of:

-3 (index)
-5 (ring, or pinky)

You'd fret

-3 (index)
-5 (middle)
-9 (pinky)

It's just one quick and dirty way of spicing up a standard power chord, and the voicing is gorgeous with distortion or without. Just always be looking for ways to incorporate the fingers you aren't using for fretting chords. Don't worry what chord you're actually playing, just take your comfort chords, plop your free finger(s) around on the frets, give it a strum and you'll end up finding all sorts of stuff that works great for you.
This is true for almost any style of music, too. I used to be really into metal, but I'm not really that great of a metal player. Funk on the other hand is my calling. Having a pinkie that you can use to add in 7's and 9's on top of chords is a blessing. Keep your pinkie strong. When learning stuff in the beginning you probably won't need it as much, but once you get higher levels you're definitely going to want it - especially in sweep picking and arppeggiating chords.
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