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| | #1 (permalink) |
| Registered User Join Date: Aug 2002
Posts: 25
| Best Music in a movie. I myself LOVED the music they had in the end of Braveheart. I had tears in my eyes hearing that music coupled Mel Gibson Dying in the end. I am kind of a sucker for the bagpipe drama music. I wanted really badly to get into the music in the end of Gladiator but it just didnt do the final oompf to get a tear in my eye. And i dont get emotional easily at all. I think the end of Titanic had a good tune to it also. Enya and Celine Dion are a couple of very good singers that can do good emotional songs for movies. So, everyone post your opinions. |
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| | #3 (permalink) |
| I'm still the master of Mistmoore, dammit! Join Date: Jun 2002 Location: Cincinnati, OH
Posts: 2,080
+2 Internets | The original Terminator. Anything by Hiyao Miyazaki
__________________ "“Education is the kindling of a flame, not the filling of a vessel.” --Socrates-- |
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| | #4 (permalink) |
| Hates Event Horizon Join Date: Mar 2002 Location: Las Vegas, NV
Posts: 100
| Scores Do I have to pick one? hehe... Aliens Glory ESB Braveheart Apollo 13 Crimson Tide The Abyss The Professional The Hunt for Red October Star Trek II: The Wrath of Khan The Last of the Mohicans |
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| | #5 (permalink) | |
| Conquest Join Date: Mar 2002 Location: Switzerland
Posts: 4,392
+2 Internets | Quote:
__________________ -retrosabotage- | |
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| | #6 (permalink) |
| Hermit Join Date: Mar 2002
Posts: 47
| If you liked Braveheart and Titanic, check out other James Horner movies...he wrote the music for both of those. My vote is John Williams. Just his Star Wars contributions are fantastic, but then you look at all of his works like E.T., Jaws, the Patriot and you can see he's very prolific. Of course, I'm a bit biased as his music is romantic (not like lovey-dovey romantic, but romanticism is a style of music popular in the late 19th century) and I think romantic music makes the best classical music. His themes are arguably the most recognized of all film composers. I think what makes a really good film score is subtlety above all else. Films are about 75% visual, and 25% aural. The point of the music isn't to stand out, but to heighten each individual scene so that you don't conciously hear the music...it simply propels the scene to even greater emotional heights. That's why a film scorer is a special breed...they must not only write good music, but they must understand the emotions that are generated by the actors and such as well. It's really a complex thing being a film composer. |
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| | #8 (permalink) |
| Licenced to kill Join Date: Jan 2002
Posts: 38
| loved music in Blade Runner and Charriots of Fire by Vangelis absolutely love Ennio Morricone's work ( A Fistful of Dollars/For a Few Dollars More/The Good, The Bad and The Ugly, Mission, The Untouchables) I liked music in Braveheart, Dances with Wolves, Willow, Indiana Jones series Enya is also one of my favorite singers. my druid Ennia Morricone is kinda a tribute to her and Mr. Ennio Morricone :P
__________________ Pente/Peny Veeshan |
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| | #9 (permalink) | |
| I'm still the master of Mistmoore, dammit! Join Date: Jun 2002 Location: Cincinnati, OH
Posts: 2,080
+2 Internets | Quote:
__________________ "“Education is the kindling of a flame, not the filling of a vessel.” --Socrates-- | |
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| | #12 (permalink) |
| Seething with dark power and -internets Join Date: Jul 2002
Posts: 1,653
| ... Most of the stuff they play in movies is too ambient to be categorized as music if you ask me, Blade Runner and Jaws for example, it's just a bunch of subtle noises. I liked the music in Being John Malkovich and Bourne Identity. Bad Company also had good music which sharply contrasted the mediocre quality of the rest of the film. If I had to pick one though I think it would have to be Star Wars. I think you could prove that half of Star War's success was on that awesome score alone. But it has to be integrated into the movie skillfully. That's one of the things that really pissed me off about Star Wars 2, they were playing the dueling fates song every 5 minutes. You're only supposed to play it at critical parts of the movie, not when people are running around on conveyer belts. |
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